Photography & Visual Art

Richard Saad

Beirut  ·  Seville

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194 10
2012 – 2016
ROOT 10
1990 – Present
NULL 10
2005 – 2018
FORM 10
2010 – Present
CAST 10
2013 – Present
TRACE 10
2014 – Present
1946 . 2003 . 2026 3
One Moment . Three instances Kfar Mechkeh, Bekaa Valley, Lebanon·1946 . 2003 . 2026
Essays
Three instances of one moment, original (left) by unknown photographer circa 1946, restoration dated 2003 and 2026 by Richard Saad
Three instances of one moment, original (left) by unknown photographer circa 1946, restoration dated 2003 and 2026 by Richard Saad

Essay · September 2026

Kept Unread

A negative from 1946 that could be interpreted by no one for fifty-seven years. Until a hand tried, and afterwards, a machine.

In 1946 a photographer working the Bekaa ran out of glass plates and exposed paper instead. The family was handed a negative — an intermediate thing, never meant to be an object — and hung it on a wall for thirty years without once being able to read it. A hand restored it in 2003. A machine restored it in 2026. This essay follows one image through three presents and asks what each was willing to give back. The object never changed. What changed was what was demanded of it.

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Photo by Richard Saad
Photo by Richard Saad

Essay · July 2026

“Un Art Moyen”, Un Prompt Moyen

From light to the prompt, in the age of photography with no camera.

For a century and a half, a photograph was a trace. Someone stood somewhere, light came off a real world, and the picture answered for it. This essay follows that certainty as it comes apart, from the drawer to the hand to the mind, from Bourdieu's family album to the AI image that needs no lens and no one who ever stood anywhere. What survives is the function. What goes is the referent. When the light comes from your own mind rather than the world, responsibility does not dissolve. It concentrates.

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Richard Saad

About

Richard Saad

Born in Beirut in 1975, Richard Saad trained as an architect at the American University of Beirut, where he received the Areen Award of Excellence in Architecture. He went on to work at Bernard Khoury Architects before joining Nabil Gholam Architects, where he is an Associate and Director of Design.

Photography has been a constant alongside his architectural practice, a parallel language. From his first solo exhibition in Damascus to street work in Barcelona and Seville, his images move between documentary instinct and quiet contemplation. He has lived and worked in Beirut, Barcelona, and Seville, where he is based today.

Series

194 2012 – 2016
ROOT 1990 – Present
NULL 2005 – 2018
FORM 2010 – Present
CAST 2013 – Present
TRACE 2014 – Present
1946 . 2003 . 2026 1946 . 2003 . 2026

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richard@richardsaad.com
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